"Every once in a while, I work on things and I feel like I'm in the old days. We got so used to that – going into sessions with Jim Gordon or Jim Keltner and the pocket was so strong! Everything was based on ensemble playing, whereas nowadays, at least half the work I do, I'm just overdubbing to sequenced bass and they want it to feel natural, but you're already handcuffed by the fact that this was done to a sequencer!"
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